“Italians, Podcasts, and True Crime.”

According to research commissioned by Glo, (BAT Italy’s brand for stick-warming devices) from AstraRicerche, as many as 83.5 percent of Italians listen to a podcast at least once in a while, with 35 percent listening to them 4 or more days a week and an astonishing 17.9 percent doing so every day.

the True Crime with its stories of crime and unsolved my steries , an atmosphere of mystery and curiosity especially fascinates women

Glo decided to get into the game with his first AudioMystery, “The Gift for Gloria – A Puzzle to Unwrap.”

This is an 8-episode series narrated by the talented Marta Filippi, actress, comedian and voice actor. An immersive experience in which mystery, excitement and twists will keep listeners in suspense as they solve puzzles and uncover hidden secrets.

“Participating in this project was an exciting challenge” -said Marta Filippi, narrator of the podcast. “Working with glo for the project “The Gift for Gloria” gave me the opportunity to challenge myself, bringing to life a narrative full of suspense and mystery.”

What Italians like most about podcasts

Convenience , variety of content and topics covered, quality of narration, narrator’s voice are all the elements that have made people appreciate the podcasts.

The plot of “The Gift For Gloria – An Enigma To Unwrap,” the first AudioMystery by Glo.

Marta and Antonio are invited to Villa dei Colli for Countess Gloria’s birthday. Antonio, a restorer by profession, is working on an antique globe owned by the countess and, on the occasion of the event, decides to give her a glo HYPER PRO device, a precious object with engraved numbers that reveal hidden details about her family history, discovered inside a secret compartment. After the gift is delivered, the party takes an unexpected turn: a minor incident, a secret, and a theft shake up the entire family. Marta, assigned by the countess to shed light on the incident, begins to investigate and question the suspects. However, just when the case seems to be solved, a new discovery completely overturns the situation, radically changing the perspective on the whole affair and resulting in an ending full of twists and turns.

The duration of Glo’s Audiomistery

8 episodes of about 4 minutes and 30 seconds. Beginning Jan. 31, episodes will be posted weekly on discoverglo.com entertaining and leaving “gloers” with bated breath.

L'articolo Glo and the first True Crime proviene da Fashionlife Magazine.

He earned his acting degree by playing the title role of Rodion Raskolnikov in the stage adaptation of Crime and Punishment directed by Francesco Giuffrè.

“The first time I set foot on a stage was in 1994, at the age of four. I have always loved the stage: characters come to life, magically illuminated by spotlights on their actors’ bodies. For this reason, at the age of 19 I left my beloved Catania, my loved ones, my mother and father and left for Rome to study acting. I graduated after three years with the play Crime and Punishment directed by Francesco Giuffrè where I played the role of Rodion Raskolnikov, the protagonist.

I left for a long tour that touched the Cyclades islands and the ancient theater in Epidaurus, Greece.

In 2018 I wrote my first play. The War of Paulinuzzu Millarti , published by Algra Editore and represented in many parts of Italy. The work was created from an interview conducted with Mr. Paolo Montalto and the memoirs collected by his son Francesco.

My last story, The Christmas Book won first place in the Hercules Patti National Award. The writing is based on an incident that happened to my paternal grandfather, Natale Puglisi, during the fighting in Yugoslavia in World War II.

Theater remains my greatest passion, but for the past few years, television and quality film have also become very interesting to me.”

Andrea Puglisi has faced training and working paths with prominent names in the theatrical scene including Eugenio Barba, Odin Teatret, Carlo Giuffrè, Giancarlo Sammartano, Giorgia Trasselli, Francesco Giuffrè, Renato Giuliani and Antonio Salines.

He specializes in dubbing with: Angelo Maggi and Massimo Corvo.

In recent years, he has been a leading participant in the performances of the Le Dionisiache festival at the ancient theater of Segesta.

She has been a teacher of stage movement and acting since 2013.

He has collaborated for years as a teacher with Fondamenta and the Ortzai Acting Academy in Vitoria-Gasteiz, Basque Country, and is the head of a European cultural exchange project between acting academies.

Since 2015 he has been specializing with Giancarlo Sammartano in using, theorizing, staging and teaching the mask of the New Greek Comedy and has been taking his workshop to Italy and Europe.

Plays in: Italy, France, Greece, Romania, Spain.

Starring in a variety of commercials such as Metro, ActionAid, Total Erg and IP, he has been the official voice of Salini Impregilo and other major brands on the national scene. In 2019 he won the Best Leading Actor Award and the Audience Award at the Romano InCorto festival for the play Cola.

His latest play The War of Paulinuzzu Millarti won the Tunis More South Award for dramaturgy, interpretation and direction.

L'articolo <strong>Andrea Puglisi, a young talent on the rise</strong> proviene da Fashionlife Magazine.

The exhibition, which has already been presented in Milan under the patronage of the Ministry of Culture, the Embassy of Ukraine and Rai for Sustainability, focuses full attention on women who day in and day out have to fight to see their rights protected. Even the primary ones, related to existence itself.

Think of Iran, but also Afghanistan, or Ukraine battered by the war unleashed by the Russian invasion: there are numerous contexts scattered across the planet in which the mere fact of being a woman can expose one to serious risks.

The exhibition, which Conte designed and organized in collaboration with Roma Capitale as part of the initiative “The Island That Wasn’t There,” was donated to the 14th City Hall, Santa Maria della Pietà, Europe’s largest former psychiatric hospital.

The exhibition itinerary, curated by anthropologist Francesca Grisot, includes a tribute to the mourning of Ukrainian women with the works of photographer Tetyana Erhart, followed by those of four Afghan women artists (Fatimah Hossaini, Roya Heydari, Tahmina Alizada and filmmaker Sahraa Karimi) who tell, through their shots, an Afghan woman quite far from traditional stereotypes. Among the works on display is an impressive tapestry made by young artist Sebastiano Furlotti, entitled For Whom the Bell Tolls.

To offer a large number of people the opportunity to view the works and contribute to the enhancement of an urban area of great historical importance, Claudia Conte decided to donate the entire exhibition to Roma Capitale, making the presence of the works at Santa Maria della Pietà permanent.

On Nov. 25 at 6 p.m., ahead of the official opening of Women for Justice, a panel discussion was held, live on Radio Radicale, at Binario F from Facebook, Meta’s digital skills hub. Claudia Conte herself moderated the speeches.

After the welcome by the Undersecretary for Culture Vittorio Sgarbi and of Claudia Trivilino, public policy manager Meta, speeches by Monica Lucarelli, councillor for Security Policies, Equal Opportunities and Productive Activities of Roma Capitale, Silvia Salis, vice-president CONI, Parisa Nazari, Iranian cultural mediator, Shahrbanu Haidari, president of the Women’s Solidarity Association for Afghan Women.

Also present were Oksana Amdzhadin, minister of the Embassy of Ukraine in Italy; Paola Radaelli, president of Unione Nazionale Vittime (UNAVI); Angela Tibaldi, PTS GROUP advisor and VP PTS; Andrea Catizone, legal advisor gender equality, diversity & inclusion; and Anita Falcetta, president Women Of Change Italia.

Final greetings by Paolo Vicchiarello, DG Mission Structure for the enhancement of major anniversaries of the Presidency of the Council, which sponsored the initiative.

L'articolo Claudia Conte: an art exhibition for violence against women proviene da Fashionlife Magazine.